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KI In The News

Can't miss products from this year's NeoCon

The Architect's Newspaper June 19, 2017

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Another year, another NeoCon—the annual design expo that showcases the innovation, creativity, and reimagination of how we will live and work.

NeoCon 2017 boasted a higher attendance than last year—by over 7 percent—and according to Byron Morton, vice president of leasing for the Merchandise Mart Properties, this was a growth both in terms of registered attendance and the uniqueness of its attendees, as nearly 20 percent of the attendees were corporate end users. These numbers aren’t surprising; has any other space changed as much as the workplace in the past five years?

This year’s colors waxed largely neutral in shades of ash, taupe, beige, and light sepia, and large block patterns took precedence over the detailed textiles of yesteryear. But nuance is everything: Wolf-Gordon’s Infinite Neutral, for instance, created a fabric that appeared gray but was spangled with nearly 30 shades of bold color in its warp and weft to create depth, and DesignTex’s Acoustic Drapery collection takes textiles even further by making it acoustic-friendly—promising to let light in and keep sound out.

While displays of customizable desks for the workspace were predictably plenty, so were their insistence on concealing levers, widgets, and wires in order give furniture an organic appearance despite tech-savvy designs. Herman Miller’s height adjustable desk “Live OS” (created in partnership with designer Yves Behar) and Knoll’s “Universal Height-Adjustable Table” both were customizable, wooden desks smart enough to collect user data to remember preferences and sense movement. This extended beyond the desk as well: the Vitra Pacific chair by Barber & Ogersby, for example, automatically adjusts to the sitter’s weight and position with very minimal manual adjustment.

Many brands at Neocon continued to straddle the lines between the personal and the professional, collaborative and private, indoor and outdoor. The most explicit trend this year was reversal: Returning toward privacy and controlling the collaborative, open workspace by offering solutions to create seclusion. This, among other things, created an industry-wide pivot back to the phone booth: sound-muffling booths by Jabbrrbox and Framery were two examples of spaces designed to carve privacy in the noisy, open workspace.

A hyperawareness of the speed of innovation to come was also central—from apps that control movement and send haptic buzzes to the user like Herman Miller’s Live OS, to DIRTT’s mixed-reality goggles featuring a custom-designed 3-D program that helps designers and architects envision partially-virtual interior spaces.

Here are just a few standout products and highlights from the show:

The Universal Height-Adjustable Screen
KI

The Universal Height-Adjustable Screen can be easily affixed to a work surface or table, allowing employees the freedom to position themselves in sitting or standing configurations. Users can change their work setting by pulling up for privacy or pushing down for collaboration. Screens come in acoustic, tackable PET felt and opaque acrylic in a variety of colors.

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